MOCA's first presentation of Silueta Works in Mexico, a portfolio of recently acquired photo-graphs that documented Mendieta's use of her body in a series of performative outdoor sculptural installations done between 1973 and 1977, which are shown along with the Rupestrian Sculpture Series (1981), photographs of representa-tions of prehistoric fertility goddesses carved on the walls of a cave in the woods of Jaruco in Havana.